Final Image Preview

This style is reminiscent of the art of Jurryt Visser. It blends line art and photography into a seamless whole.

Step 1

First create a new document that is 1100 pixels wide by 1500 pixels high at a resolution of 300 pixels per inch. For this project I will use a texture that I like very much. I would like to thank the author of this texture Princess-of-Shadows for putting this together. Now, move the texture into your document.

Step 2

Next you need to select the images you will use for this design. I bought three nice images that you might be familiar with 1, 2, 3.

Let's start with image 1, and using the Pen Tool (P) you need to create a path around the dancer.

Step 3

Now that you finished creating the path you need to set your brush size to 1px and Hardness at 100%. Next create a new layer and name it "contour1." Next, using the Pen Tool (P) right-click then select Stroke Path, select the brush and make sure the Simulate Pressure is not selected. Also, you need to make the stroke black.

Step 4

Now that you have created the stroke do not delete the path. Next you need to press Command + Enter to transform the path into a selection and then you need to press the Add Layer Mask button. This will hide the background around the dancer. In the end move the dancer and stroke layers into your document.

Step 5

Select the "countour1" layer and using the Pen tool (P) you will need to draw paths all over the dancer. You will need to draw these paths along the shadows or follow the lines of the cloths and then stroke the paths with a 1px black brush. The result is called line art.

Step 6

Create a new layer below the "countour1" layer and name it "color1." Command-click on the "Dancer1" layer to make a selection, then you need to fill the "color1" layer with this the color #f7eedd. Also, you need to link these to layers so if you move one the other one will follow.

Step 7

You need to repeat the line art for each image and place them onto the document. Don't just throw them in there, you need to maybe do a sketch first and position each image right.

Step 8

If you followed the instructions so far you should have the layers in this order.

Step 9

Now that you have the line art behind the dancers you will need to mask some parts to make some kind of transformation. Select the Layer Mask of a dancer and simply use the Brush Tool (B) set to black, and draw over the part you want to hide.

Step 10

Next, duplicate the dancers, scale them and move them as you wish, but keep in mind that you need to arrange them in a nice composition. In my case, you can see that I have placed six more dancers. Also, I have masked the original dancer images and left only the line art visible. I did this because in the next step we will bring some parts of the dancers back over the line art.

Step 11

First thing to do before you start to give the line art some life is to make a selection over the part you want to mask.

Step 12

Next, use a splatter brush. You can find some very useful brushes here: DeviantArt or PSDTUTS User Feed Link. Use a black color for the brush and start drawing over the mask and reveal some parts of the dancer. Also, to achieve a really nice effect, decrease the Opacity of the brush to 20%. This way you will build the effect gradually and it will look more interesting.

Step 13

Repeat Step 11 and 12 for each dancer you created. Also, control your composition and if you do something that does not look right, don't be scared to erase and do the effect again and again until you're satisfied with the final result.

Step 14

So far you should have something close to what I have done, which has some movement and a balanced composition.

Step 15

Next we'll add just a few crows to the image to fill it a bit more. I used these two images: 1 and 2.

Now that you have the two images, apply the same steps as you did with the other images. This means you will need to cut them, create the line art for both images, duplicate them as many times you think it is necessary, and make the faded effect using the splash brush.

Step 16

Now that you are finished with the birds and dancers you can put them in separate folders just to keep everything clean.

Next use another stock image sxc. Cut and duplicate this feather as many times as you think it is necessary because you will use this to add some more graphic elements. As you can see, I did not put too many, just a few are enough to give the illustration an extra feeling of movement.

Step 17

Next, create a new folder on top of all the layers and name it "circles." Also, create a new layer into this folder and use my settings for the Brush Tool (B) and the same color you used for the line art #f8efde.

Now that you have set your brush, start drawing a few circles around the working space. Be careful not to overdue them.

Step 18

Create a new layer over the circles you just created, then Command-click on the circles layer to make a selection. Next, you need to be over the new layer you created, use the Lasso Tool (L) and Right-click, then select Stroke. Set the Radius to 1px and color to black, also make sure you set it to Center.

You can repeat this step and make more transparent circles. It is up to you.

Step 19

Next, we'll create a new layer and again draw some circles, but this time use different settings and a different color #8bb687.

Step 20

Repeat Step 19, but this time use a different color and make the circles in the opposite direction #99a3b4.

Step 21

Finally, set both layers from Step 18 and Step 19 to Color Burn.

Conclusion

In the end you can add some more spots if you want to, also add your logo and you are done. You can view the final image below or view a larger version here.

Final Image Preview

Step 1

Let's start by creating a New Document which is 1000 pixels wide by 1000 pixels high, set the Resolution to 300 pixels/inch, and the Background to white. Grab the Rectangular Marquee Tool, then set the style to Fixed Size with a Width of 100 px and Height of 240 px. Drag four guides around the selection, as shown in the below image, then Deselect by hitting Command + D.

Step 2

Create a new layer and name it "Front B." Set the foreground color to 55% gray. Get the Rounded Rectangle Tool, set it to Fill Pixels and Radius to 30 px in the Tool Options set. Draw a rounded rectangle as shown below.

Step 3

Now we'll clear the guides by going to View > Clear Guides. Hit Command + T to enter the Free Transform mode, set the Vertical Skew to -30 degrees, and apply it. Hit Command + T again and set the Rotation to -30 degrees. We could have skewed and rotated the layer at the same time. The reason why we did it in two steps is that it gives cleaner results. You can have a look at the below image for a comparison.

Now we need two horizontal guides. Drag and snap one to the top and one to the bottom of the transformed rectangle. This is not our final perspective angle, but it's easier to build up the USB key this way, then we'll rotate the whole thing again to achieve our final perspective look.

Step 4

Duplicate the "Front B" layer and name it "Front A." Move the "Front A" layer 30 pixels left. You can do it by using the Arrow keys on the keyboard when the Move Tool is selected. While holding Shift, press the Left Arrow key three times. Apply a Gradient Overlay layer Style with these settings: Blend Mode set to Multiply, Opacity at 100%, Gradient set at Black to white, Style of Linear, Angle set to 90 degrees, and Scale set to 130%.

Step 5

Now we need to connect these two rounded rectangles. Go back to the "Front B" layer in the Layers Palette. Get the Polygonal Lasso Tool and make a selection, as shown in the image below. Make sure the guides are visible. Fill the selection with 55% gray, then Deselect by hitting Command + D.

Step 6

There are some unwanted pixels, lets get rid of them. Grab the Rectangular Marquee Tool, set the Style to Normal, and make a selection, as shown below. Move the selection 1 px down and hit Delete to clear the area. You can move the selections by using the Arrow Keys on the keyboard as long as a Marquee Tool is active. Now make a rectangular selection this time at the bottom. Move the selection 1 px up and hit Delete again.

Step 7

Now we'll apply a Gradient Overlay Layer Style to the "Front B" layer with these settings: Blend mode set to Multiply, Opacity at 65%, Gradient set at "Steel Bar" (which is in the Metals Set), with a Style of Linear, Angle set to -30 degrees, and Scale at 110%. Also, you can adjust the position of the gradient by dragging while the Gradient Overlay dialog is still open. Adjust the position like in the image as well.

Step 8

Command-click the "Front A" layer thumbnail to load the selection. I moved the selection 400 pixels right. This will define the length of your USB key, so you can change it if you want a longer or a shorter one. Create a new layer and name it "Back." I filled the selection with color #ee3232, but you can choose a different color according to your own taste.

Now create another new layer and name it "Body." Fill the selection with 15% gray. Deselect by hitting Command + D. Make the "Back" layer invisible, as we'll need it later. Drag and place the "Body" layer above the "Background" layer in the Layers Palette.

Step 9

Now we'll extrude the body as we did for the front part. Get the Polygonal Lasso Tool and make a selection as shown, then fill it with 15% gray. Hit Command + D to Deselect.

Step 10

Get the Rectangular Marque Tool and make a selection aligned to the upper guide, as in the image below. Move the selection 1 px down and clear by hitting Delete. Make another rectangular selection, this time at the bottom, move the selection 1 px up, and hit Delete again to clear the disturbing row of pixels.

Step 11

Now we'll apply a Gradient Overlay Layer Style to the "Body" layer to achieve the rounded corner. Use these settings: Blend mode set to Multiply, Opacity at 65%, Gradient set at Black to White, with a Style of Linear, Angle set to 90 degrees, and Scale set at 18%. Move the gradient down, as in the below image. You can do it by dragging while the Gradient Overlay dialog box is open.

Step 12

Go to the Layer Palette, then drag and place the "Back" layer just above the "Background" layer. Move the "Back" layer 20 px right using the Right Arrow key. Next, get the Polygonal Lasso Tool and make a selection, as shown below, then fill the selection with red (or your own color) to extrude the back part of the USB key. Hit Command + D to Deselect.

Get the Rectangular Marque Tool and make a selection aligned to the upper guide, as we did before. Move the selection 1 px down and clear by hitting Delete. Make another rectangular selection, this time at the bottom. Move the selection 1 px up and hit Delete again to clear the disturbing row of pixels.

Step 13

We need to apply a Gradient Overlay to the "Back" layer with the same settings as we used for the "Body." Now right-click on the "Body" layer in the Layers Palette and choose Copy Layer Style. Right-click the "Back" layer and choose Paste Layer Style.

Step 14

Create a new layer above the "Front B" layer and name it "Highlight." Grab the Line Tool, set it to Fill Pixels, and set Weight to 8 px. Choose white as your Foreground Color, and draw a straight line, as in the below image. Go to Filter > Blur > Gaussian Blur, apply with a Radius of 5 px.

Now we have the highlight, but we should delete the exceeding part. Command-click the "Body" Layer Thumbnail to load it's selection. We should also select the back part, so Command + Shift-click the "Back" Layer Thumbnail to add to the selection. Go to Select > Inverse and hit Delete to clear. Deselect by hitting Command + D.

Step 15

Create a new layer above the "Body" layer and name it "Reflection." Grab the Gradient Tool, set the Gradient to black to white, and fill the layer with the gradient from left to right. Go to Image > Adjustments > Curves and tweak the curve as shown below. This is my favorite way to make reflections. Then hit Command + T and rotate the "Reflection" layer 30 degrees. You'll see why we're doing this later.

Now because we want that reflection to be seen on the "Body" part, we need to get rid of the rest. Command-click the "Body" Layer Thumbnail to load the selection. Command + Alt-click the "Front B" Layer Thumbnail to subtract it from the current selection. Go to Select > Inverse and hit Delete to clear. Hit Command + D to Deselect. Set the Layer Blending Mode to Overlay.

Now get the Eraser Tool. Make sure the mode in the Tool Options is set to Brush. I set the Brush Master Diameter to 215 and Hardness to 25%. Erase the area below the rounded corner.

There are some painted pixels outside the canvas because we filled the whole page and then rotated the gradient. We can't see them at the moment. In the final steps we'll rotate the USB key and these pixels will be a problem so to get rid of them. Go to Select > All, then go to Image > Crop.

Step 16

We start drawing the plug. Command-click the "Front A " layer to load the selection. Create a new layer above the "Front A" and name it "Plug." Fill the selection with 25% gray. Deselect by hitting Command + D. Hit Command + T to enter Free Transform mode, set the Vertical and Horizontal Scales to 56%, and apply.

Step 17

Duplicate the "Plug" layer and name it "Plug Front." Move the "Plug Front" layer 150 pixels left. Drag two guides from the upper Ruler and snap them to the top and bottom of the "Plug" layer. Go back to the "Plug" layer in the Layers Palette, get the Polygonal Lasso Tool, and make a selection as in the below image. Fill the selection with 25% gray, then deselect by hitting Command + D.

Step 18

Get the Rectangular Marque Tool and make a selection aligned to the upper guide, as shown below. Move the selection 1 px down and clear by hitting Delete. Make another rectangular selection, this time at the bottom, move the selection 1 px up, and hit Delete again to clear the disturbing row of pixels.

Step 19

Command-click the "Plug" layer Thumbnail, this will load the selection. Get the Gradient Tool, set the Gradient as Foreground to Transparent, set Foreground Color to black, and Gradient Style to Linear. Drag it, as shown below, to fill the selection with a black to transparent gradient. This will make the upper part of the plug darker, which is going to help us achieving the metallic look.

Hit Command + D to Deselect. Apply a Gradient Overlay Layer Style with these settings: Blent Mode set to Multiply, Opacity at 50%, Gradient set at Black to White, Style of Linear, Angle set to 90 degrees and Scale set to 18%. Move the Gradient down until it fits on the rounded corner, as in the below image, while the Gradient Overlay dialog is still open.

Step 20

Create a new layer above the "Plug" layer and name it "Plug Reflection." Get the Rectangular Marque Tool and make a selection, as in the image below. Get the Gradient Tool. Set the Gradient to Silver (it's in the Metals Set.) Set the Gradient Style to Reflected and fill the selection starting from the middle to the left. Hit Command + D to Deselect. Go to Image > Adjustments > Invert to get the negative.

Step 21

Hit Command + T, then Scale the reflection a bit horizontally and rotate 30 degrees. Now we want to reflection visible only on the plug. So we'll define the "Plug" layer as a Clipping Mask for the "Plug Reflection." You can do it by Alt-clicking the line between these two layers in the Layers Palette. Get the Eraser Tool. Erase the area below the rounded corner of the plug. Also, set the layer Blending Mode to Screen.

Step 22

Create a new layer above the "Plug Reflection" layer and name it "Plug Highlight." Get the Line Tool, set it to Fill Pixels, and set Weight to 4 px. Also, set white as your Foreground Color. Draw a straight line, set Weight to 2 px and draw another line, as in the below image.

Go to Filter > Blur > Gaussian Blur, apply with a Radius of 1.5 px. Command-click the "Plug" layer to load the selection, then go to Select > Inverse and clear by hitting Delete. Set the "Plug Highlight" Layer Opacity at 60%.

Step 23

Now we'll make the hole on the plug. Command-click the "Plug Front" layer to load the selection. Go to Select > Modify > Contract and contract the selection by 2 pixels. Create a new layer above the "Plug Front" layer and name it "Plug Hole."

Fill the selection with 25% gray and apply a Gradient Overlay Layer Style with these settings: Blend Mode set to Multiply, Opacity at 40%, Gradient set at black to white, with a Style of Linear, Angle set to -90 degrees, and Scale at 13%. Move the gradient until it fits on the rounded corner of the plug.

Step 24

Create a new layer named "Plug Hole Shadow" just above the "Plug Hole" layer. Grab the Polygonal Lasso Tool, select an area as in the below image, and fill with black. Hit Command + D to Deselect. Go to Filter > Blur > Gaussian Blur. Set the Radius to 15 pixels. Command-click the "Plug Hole" layer, go to Select > Inverse to inverse the selection. Clear by hitting Delete. You should adjust the Opacity of the layer to your taste as well.

Step 25

Create a new layer above the "Plug Hole" layer and name it "White." Command-click the "Plug Hole" layer. Get the Rectangular Marque Tool and move the selection, as shown below. Command + Alt + Shift-click the "Plug Hole" Layer Thumbnail to intersect the selection, then fill the selection with white, and hit Command + D to Deselect. Move the "White" layer 5 pixels right. Drag horizontal guides and snap them to the top and the bottom of the "White" layer.

Step 26

Create another layer below the "White" layer and name it "White Top." Get the Polygonal Lasso Tool and make a selection, as shown below. Fill the selection with 20% gray. Command-click the "Plug Hole" layer, then go to Select > Inverse to inverse the loaded selection. Hit Delete to clear the part outside the hole. Go to "White" layer in the Layers Palette and hit Delete again. Hit Command + D to Deselect.

Step 27

Select the Layers in the Layer Palette, as shown below. Go to Layer > Group Layers (Command + G.) Name the group "Plug Bottom." Now duplicate the "Plug Bottom" group and name it "Plug Top." Go to Layer > Merge Group. Make the "Plug Bottom" group invisible for now.

Step 28

Now we'll make the reflection of the plug on the body. Duplicate the "Plug Top" layer, name it "Plug Reflection," and drag it above the "Front A" layer in the Layers Palette. Move it right, as shown below. Go to Filter > Blur > Gaussian Blur and apply with a Radius of 3 pixels. In order to mask the reflection, Alt-click on the line between the "Plug Reflection" and the "Front A" layers in the Layers Palette. You can change the opacity of the layer as you wish.

Step 29

Let's continue tiding up our layers. Select all the layers except the "Background" and "Plug Top" layers and "Plug Bottom" Group. Go to Layer > Merge Layers (Command + E.) Rename the merged layer as "Body."

Step 30

Now we'll make the two small holes on the plug. Create a new layer on the top of the layer stack named "Hole." Get the Rectangular Marque Tool, set Style to Fixed Size, and Width and Height both to 26 px. Make a selection as shown below. Fill the selection with 65% gray. Hit Command + D to deselect.

Hit Command + T and set the Horizontal Skew to 30 degrees. This will fit the perspective of the holes to the perspective of the plugs. Get the Polygonal Lasso Tool and make a selection, as shown in the bottom left image below. Go to Image > Adjustments > Hue/Saturation (Command + U), and set Lightness at +100% to make the selected part white.

Command-click the "Hole" layer to load the selection. Move the selection 1 px left and 1 px down. Command + Alt + Shift-click the "Hole" layer again to intersect the selection with the layer. Fill the selection with black. Also, deselect by hitting Command + D.

Step 31

Duplicate the "Hole" layer. Now we have two holes and they should be aligned properly. You can get help from the right or left edge of the plug. After aligning properly, select both hole layers and position them as shown below.

Step 32

Now get the Text Tool. I set the font as Trebuchet MS with a size of 35 pt. Make your Foreground Color #ee0055, then type your text. Hit Command + T and set the Horizontal Skew to 30 degrees and apply. Rename your text layer as "Text." Apply a Gradient Overlay to "Text" layer using these settings: Blend Mode set to Screen, Opacity at 50%, Gradient set at Silver, with a Style of Linear, Angle set to 30 degrees, and Scale set at 75%.

We'll also apply a Drop shadow with the following settings: Blend Mode of Multiply, Opacity set at 60%, Angle set to 90 degrees, and Distance and Size set to 2 px.

Step 33

What we have now is our USB key. What we don't is the reflection. Our key will be floating in the air, and the bottom of it will be reflecting on the surface. And the bottom part of the key is slightly different from the top of it.

Duplicate the "Body" layer and name it "Body Bottom." Now select the "Hole Copy," "Hole," "Text," "Plug Top," and "Body" layers, then go to Layer > Merge. Name the merged layer "USB," and make "USB" layer invisible for now.

Step 34

We'll get the Text Tool again, make your Foreground Color #ee0055, and type your text. Hit Command + T and scale the text to fit on the plug. Go to Edit > Transform > Flip Vertical to mirror the text. Hit Command + T and set the Horizontal Skew to 30 degrees and apply. Rename your text layer as "Text."

Apply a Gradient Overlay to the "Text" layer using these settings: Blend Mode set to Screen, Opacity at 50%, Gradient set at Silver, with a Style of Linear, Angle set to 30 degrees ,and Scale set at 75%.

We'll also apply a Drop shadow with the following settings: Blend Mode of Multiply, Opacity set at 60%, Angle set to 90 degrees, and Distance and Size set to 2 px.

Make sure that one of the visible layers is selected in the Layers Palette, then go to Layer > Merge Visible. Name the merged layer "Reflection." Now you should have three layers: "Background," "USB Final," and "Reflection." Now we're almost done.

Step 35

Now make the "Plug Bottom" group visible. Open the group and delete the "White Top" layer. Go to the "White" layer and move it up, as shown below. Command-click the "Plug Hole" layer to load the selection, go to Select > Inverse. Hit Delete to Clear outside of the hole. Deselect by hitting Command + D. Go to the "Plug Hole Shadow" layer in the Layers Palette. Hit Command + T and rotate the layer 180 degrees, and make sure that it still fits in the hole.

Step 36

We'll now place the USB sign on the plug. I drew one and you can get it here. Open the "USBsign.png" file and get the Move Tool and drag the logo into your "USB Refleciton.psd."

Hit Command + T to enter Free Transform mode, rotate the logo -90 degrees, scale to fit on the plug, and apply. Go to Edit > Transform > Flip Vertical to mirror it. Hit Command + T again and set the Horizontal Skew to 30 degrees. Place it on the plug and set the Layer Opacity to 60%.

Step 37

Close the "Plug Bottom" group. Select the "Plug Bottom," "Body Bottom," and "Text" in the Layers Palette and go to Layer > Merge Layers. Name the merged layer "USB Reflection." Make sure that "USB" layer is on the top and all the layers are visible.

Step 38

Select both "USB" and "USB Reflection" layers in the Layers Palette, hit Command + T, and Rotate -30 degrees. Grab the Move Tool, then move the "USB Reflection" layer down, as shown below. Go to Filter > Blur > Gaussian Blur and apply with a Radius of 3 px. Also, set the Layer Opacity at 20%.

Step 39

Duplicate the "USB Reflection" layer and name it "Shadow." Hit Command + U to bring up the Hue/Saturation dialog. Set the Lightness to -100 to make the shadow black. Go to Filter > Blur > Gaussian Blur and apply with a Radius of 40 px. Set the Layer Opacity to 50% and move the "Shadow" layer up, as in the image below.

Conclusion

Finally, I scaled them down a bit and applied a gradient to the background. And this is the end of another tutorial. I hope you're happy with your own USB key illustration and had some fun! You can view the final image below or view a larger version here.